Gladys Frisch Harris Piano Festival
The Gladys Frisch Harris Piano Festival at Hastings College brings outstanding teacher-performers to the Hastings College campus for a day of informative and inspiring activities, all free of charge to festival participants!
The Festival attracts clinicians who share their expertise with piano students, teachers and the Hastings College community — including an opportunity for students in grades 8-12 to attend free of charge and work with the guest clinician and Hastings College faculty. These master class sessions are a great way to coach literature for upcoming solo recitals, Guild Auditions, contests or NMTA District Festivals.
2025 Piano Festival
The 2025 Festival is scheduled for Saturday, March 29, 2025.
We are pleased to invite all students grades 8-12 to attend this event free of charge, and request a lesson with our guest clinician, Dr. David Brickle, and Hastings College piano faculty member, Jonathan Sokasits. Please register below.
Festival Schedule
9:00 am — Welcome and solo recital with Dr. Brickle
10:00 am — Lecture by Dr. Brickle
10:30 am — Master classes featuring area high school students
1:00 pm — Solo recital with Dr. Sokasits
More details to be announced in the coming weeks!
2025 Guest Artist - Dr. David Brickle
Dr. David Brickle serves as Assistant Professor of Music at Milligan University teaching piano and music theory. He has performed widely throughout the continental United States, Puerto Rico, internationally in Spain, and has appeared in a variety of broadcasts including National Public Radio’s “Performance Today,” ETV Radio’s “On the Keys,” and Blue Lake Public Radio. An acclaimed soloist, Brickle has been a featured guest artist in numerous concert series including the Lander University Emerging Keyboard Artist Series, Oklahoma Baptist University’s Digby Bell Memorial Recital, the Festival of Keys, the Southern Exposure Concert Series, and the South Carolina Governor’s School Discovery Summer Music Program Additionally, he performed as a concerto soloist with the Anderson Symphony Orchestra and as a keyboardist for the Chautauqua Music School Festival Orchestra. Brickle won multiple awards in the South Carolina and Southern Division MTNA competitions, FSU Chapman/Neesen piano competition, Roundtop Festival Institute chamber music competition, and was twice a finalist at the Chautauqua International Piano Competition.
As an avid collaborative musician, Brickle frequently performs with his wife, Dr. Marianna Brickle, as a violin and piano duo. Since 2007, they have given numerous recitals throughout the United States, including performances for City University of New York – College of Staten Island, the Alabama Music Teachers Association, the Artist Series at Wallace. Community College in Dothan, Alabama, Florida College, and the annual Concierto de Música Cristiana y Clásica in Levittown, Puerto Rico. Also active in the Brickle/Chan piano duo with Dr. Chia-Ying Chan, Brickle has delivered guest artist recitals and masterclasses at institutions such as Indiana University Bloomington, University of Illinois Urbana Champaign, Grand Valley State University, Butler University, and Blue Lake Fine Arts Camp.
Committed to advancing arts education in the broader community, Brickle frequently offers performances, lectures, lessons, and masterclasses for other community organizations such as Classical Conversations, Chautauqua Music Festival Open Enrollment program, and numerous community arts academies. He often serves as an adjudicator for state, regional, and international piano competitions and festivals. During the summer months, he regularly teaches as a faculty member at the Blue Lake Fine Arts Camp, the FSU Summer Piano Institute, and previously at the MasterWorks Festival.
Brickle completed his Doctor and Master of Music degrees in piano performance at Florida State University studying with Read Gainsford and Heidi Louise Williams, and a Bachelor of Music degree in piano performance from the University of South Carolina where he studied with Marina Lomazov and Judit Gábos. While at FSU, he also completed the Specialized Study Program in Pedagogy of Music Theory.
Questions?
Contact Dr. Jonathan Sokasits at 402.461.7359 or jsokasits@hastings.edu.
History of the Gladys Frisch Harris Piano Festival at Hastings College
Gladys Frisch Harris, a member of the Hastings College class of 1932, spent more than fifty years of her life teaching private piano and organ pupils. She actively taught until two days before her death on Thanksgiving Day, 1981.
Following graduation, Harris taught high school music for two years, and then became a substitute teacher in the Evanston, Illinois public schools. She studied pipe organ in Chicago and attended the Diller-Quaile School of Music in New York.
Harris and her husband, the Reverend James W. Harris, were married in 1934 and had two sons, James and John. Mrs. Harris was a member of the Evanston Music Club and the Board of Directors of the West Suburban Symphony in LaGrange, Illinois. Her dedication to the field of music education still continues today through underwriting this annual student/teacher workshop.
About the Gladys Frisch Harris Piano Festival
The generous bequest of Reverend James W. Harris continues to honor his wife’s memory with an annual piano festival designed for area pre-college piano students and their teachers. Since its inception in 1984, the Gladys Frisch Harris piano festival has brought outstanding teacher-performers to the Hastings College campus for a day of informative and inspiring activities, all free of charge to festival participants. With the ongoing generous support of the Hastings College Music Department and Artist Lecture Series, the festival continues to attract top-notch clinicians to share their expertise with area piano students, teachers and the Hastings College community.
This annual festival occurs in March or April. It is a wonderful performance opportunity that helps students prepare for district festivals, auditions and spring recitals. Over the years, the festival has undergone a number of changes before arriving at its current format.